Careers rarely develop the way we plan them. Our career path often takes many twists and turns, with particular events, choices and people influencing our direction.

We asked Paul Dowling from Teagasc to give some advice for people considering this job:

Paul Dowling



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Paul Dowling
Ideally, try and get a job in the industry for a summer, or get a bit of experience before you go into it. You have to be happy with working outside, and doing physical work. If you are not prepared to work hard or are looking for a soft job, don't go into Landscaping. Design is very sexy at the moment, everyone wants to be a designer, a Landscape Designer. It's different on the ground, you have to be out there on sites in all weather and you have to make sure projects are managed well and you're able to muck in with everyone else. Biology is most important for anyone going into Horticulture or Landscaping as it covers propagation and helps with the identification of plant names, species and families through the universal use of Latin. Chemistry is also helpful as the use of various chemicals is a constant in horticulture. The chemical content and dangers of fertilizers, herbicides and insecticides in use in Amenity Horticulture needs to be understood anyone going into this business. Geography would be a relevant subject as well. Also, the simple things like having a full, clean driving licence, which can make you a lot more employable if you are trying for a job with a Landscape Conractor. This indicates that you are more mobile and can also drive a company van if needed. Be sure you're happy with the outdoor life. Having taken a Horticulture course will give you an advantage. However, it's possible to take a job first and study later, e.g. in IT Blanchardstown it is possible to study at night. I think you cannot beat doing the Diploma Course in the National Botanic Gardens because it is a good practical course which also covers all the theory and is invaluable for gaining plant knowledge.

Creative people are drawn to careers and activities that enable them to take responsibility for the design, layout or sensory impact of something (visual, auditory etc). They may be drawn towards the traditional artistic pursuits such as painting, sculpture, singing, or music. Or they may show more interest in design, such as architecture, animation, or craft areas, such as pottery and ceramics.

Creative people use their personal understanding of people and the world they live in to guide their work. Creative people like to work in unstructured workplaces, enjoy taking risks and prefer a minimum of routine.
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A day in the life of a Meteorologist

"Just before midnight I go into our small radio studio, just beside the forecast office. I phone up the sound desk in RTÉ Radio 1 and we do a sound level test. Shortly after I will go out live on air broadcasting the 1 minute general forecast script and the sea area forecast."- Sarah O'Reilly, Meteorologist 

My night duty as weather forecaster in Met Éireann’s forecast office begins at 10pm. On arrival in the forecast office I am briefed by the evening duty meteorologist. They will give a run down of the current weather situation and walk me through the forecast for the next week or so, highlighting any severe weather expected.

Once the evening forecaster departs I have a few busy hours ahead of me. I must prepare for the live radio broadcast scheduled just before midnight. 

I will need to analyse the forecast charts produced by computer forecasting models. These computer models predict atmospheric conditions like air pressure, temperature and precipitation. It is my job to assess this information and convert it into a format that can be easily used by our customers, the public.

Using the new model data and taking into account the current weather conditions I will update Met Éireann’s national forecast, a concise text describing the weather for Ireland for the next 24 to 36 hours. 

This national forecast is posted on our web page ( and on RTÉ teletext. At 11pm a second forecaster comes on duty for the night I take some time to brief him fully.

My next task is to prepare a sea area forecast for the waters around Ireland focusing on the winds at sea over the coming 24 hours. 

Also, before midnight I need to prepare a radio script covering the expected weather over the next few days. Just before midnight I go into our small radio studio, just beside the forecast office. I phone up the sound desk in RTÉ Radio 1 and we do a sound level test. Shortly after I will go out live on air broadcasting the 1 minute general forecast script and the sea area forecast.

Between midnight and 3am the forecast office is rather quiet. I need to continue to analyse the weather, each hour we get reports in from Met Éireann’s stations about the country. I need to ensure that the forecast is on track and make any amendments if necessary.

At 3am things get busy again and stay that way until my duty ends at 8.15am. New output from computer models will become available. 

Both forecasters on duty will analyse this data and will finalise the forecast for the day ahead as well as the outlook for the coming week. 

I will focus on the next 24 to 36 hours and if any severe weather is expected I will issue warnings. My colleague on night duty will concentrate on the longer range forecast and will write and record the forecasts used on our Weatherdial service. 

I will update Met Éireann’s national forecast and produce an updated sea area forecast which I then broadcast just after 6am on RTÉ Radio 1.

My final task is to prepare a radio script covering the general forecast for the coming week and deliver this forecast on Morning Ireland, just before the 8 o’clock news headlines. 

After this broadcast my relief forecaster will have arrived and after briefing them I can head home to bed!
Sarah O’Reilly

Article ~ 

Article by: Sarah O'Reilly ~ Institute of Physics in Ireland