Careers rarely develop the way we plan them. Our career path often takes many twists and turns, with particular events, choices and people influencing our direction.

We asked Elaine McGarrigle from CRH plc to give some advice for people considering this job:

Elaine McGarrigle

Mechanical Engineer

CRH plc

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Elaine McGarrigle

The most important skill that a person in my position can have is communication.

One needs to be able to communicate effectively with people of all levels in order to do a days work. I think that this is the most important quality, to be able to fit in well with people, everyone from the operators to the senior management, one needs to be able to read them and how best to communicate with them.

An interest in basic engineering and in the heavy machine industry.

It is important to realise that working as a mechanical engineer in Irish Cement does not generally involve sitting at your desk all day. It involves alot of hands on, on-site work so a person needs to be prepared to get their hands dirty.

Another quality that is important is to be willing to learn. Even after a number of years in college, one needs to be eager to learn the ins and outs of a new environment; how cement is made, what equipment is involved, what generally goes wrong and how it is fixed.

Everyone will help and teach you but you need to open your mind and be prepared to take it all in.

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Administrative
Administrative people are interested in work that offers security and a sense of being part of a larger process. They may be at their best operating under supervisors who give clear guidelines, and performing routine tasks in a methodical and reliable way.

They tend to enjoy clerical and most forms of office work, where they perform essential administrative duties. They often form the backbone of large and small organisations alike. They may enjoy being in charge of office filing systems, and using computers and other office equipment to keep things running smoothly. They usually like routine work hours and prefer comfortable indoor workplaces.
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Occupation Details

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Script Supervisor - TV / Film

Job Zone

Education
Most occupations in this zone require job specific training (vocational training) related to the occupation (NFQ Levels 5 and 6 or higher), related on-the-job experience, or a relevant professional award.

Related Experience
Previous work-related skills, knowledge, or experience is required for these occupations. For example, several years of full or part-time employment in the area may suffice.

Job Training
Employees in these occupations usually need one or two years of training involving both on-the-job experience and informal training with experienced workers. A recognised apprenticeship or training program may be associated with these occupations.

Job Zone Examples
These occupations usually involve using communication and organisational skills to coordinate, supervise, manage, or train others to accomplish goals. Examples include restaurant managers, electricians, agricultural technicians, legal secretaries, hairdressers, and web developers.

€24k >
Script Supervisor TV/Film
Salary Range
(thousands per year)*
€24 -
Related Information:
Data Source(s):
FAS

Last Updated: March, 2013

* The lower figures typically reflect starting salaries. Higher salaries are awarded to those with greater experience and responsibility. Positions in Dublin sometimes command higher salaries.
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At a Glance... header image

The Script Supervisor attends rehearsals to note and time the actor's delivery of dialogue and informs the Director if it's not consistent with the original timing of the script.


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The Work header image

The work of a Script Supervisor involves breaking down the script and timing each shot and sequence. A Script Supervisor is responsible for the continuity of a film. It is a senior technical grade and there is generally only one Script Supervisor on a production.  
 
Appointment of Script Supervisor is by the Director - in some cases Production Manager. The work of a Script Supervisor would include one or two weeks pre-production work plus working throughout the shooting schedule. In most cases Script Supervisors contract would end on completion of the filming/shooting.  
 
The work of a Script Supervisor in pre-production includes, Timing Breakdown, Page Count (breakdown down the script into 1/8 pages), Scene Count, Synopsis of script, Continuity breakdown. When a production is being filmed (i.e. during the shooting schedule), the work of a Script Supervisor is divided into two parts; which are

    • Observation

 

  • Paperwork/Administration


 
Observation:  
Script Supervisors are responsible for making sure that what the film crew production unit shoots can be put together by the Editor in such a way as to ensure continuity of action. Although every department is responsible for its own continuity she/he is ultimately responsible for the continuity of: -Wardrobe, Make-Up, Props, Set Dressings, Eyelines of the cast (in conjunction with the Camera Operator), Action movement of artists/vehicles. Although camera set-ups is the concern of the Lighting Cameraman Script, Supervisors would check that each set-up matched those already shot.  
 
Paperwork/Administration:  
The Script Supervisor will see that the correct dialogue is spoken and would note any changes. He/She would time the action of each shot and be responsible for the overall screen time of the production. He/She would keep a record of each shot and scene with timings - written notes beside each take and a record of the technical details of each shot/scene. In other words she/he would keep a complete record of the production. A marked up script together with these details are sent daily to the Editor.  
 
The Script Supervisor is also the link between the film crew and the Production Office and on feature film production this is vital. She/he will pass on daily to the production office a Progress Report stating daily diary time of the Unit


Personal Qualitiesheader image

A Script Supervisor must be hard working with good organisational and communication skills. He/she should be adaptable and flexible. IT competancy skills are essential.


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Contactsheader image

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Organisation: Irish Film and Television Network
Address: First Floor, Palmerstown Centre, Kennelsfort Road, Dublin 20
Tel: 01 6200811
Email: Click here
Url Click here

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Organisation: SIPTU (Film & Entertainment Branch)
Address: Liberty Hall, Dublin 1
Tel: (01) 858 6412
Email: Click here
Url Click here

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Career Guidance

This occupation is popular with people who have the following Career Interests...


...and for people who like working in the following Career Sectors:

Entertainment & Performing Arts
Classic Arts, Languages & Culture

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